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The Female Characters of Ernest Hemingway’s “The Last Good Country”
https://swu.repo.nii.ac.jp/records/6627
https://swu.repo.nii.ac.jp/records/662770810721-6aab-47c5-a294-88ca6a7825f6
名前 / ファイル | ライセンス | アクション |
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01学苑10月号オキーフ先生 (461.3 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2018-11-30 | |||||
タイトル | ||||||
タイトル | The Female Characters of Ernest Hemingway’s “The Last Good Country” | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The Female Characters of Ernest Hemingway’s “The Last Good Country” | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
著者 |
O’Keefe, Arthur Shattuck
× O’Keefe, Arthur Shattuck× O’Keefe, Arthur Shattuck |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The three primary female characters of Ernest Hemingway’s unfinished story “The Last Good Country” are indispensable in aiding the male protagonist in his attempts at defying and subverting a malignantly depicted authority. In doing so, they defy and subvert authority themselves; the behavior depicted includes direct female defiance of traditional male authority figures. These strong and beneficent female characters are therefore directly at variance with the assertion by some feminist scholars since the 1970s that Hemingway women are misogynist stereotypes, an argument disputed in other research as well. | |||||
書誌情報 |
学苑 en : Gakuen 号 936, p. (1)-(10), 発行日 2018-10-01 |
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出版者 | ||||||
出版者 | 昭和女子大学近代文化研究所 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 1348-01 |