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〔研究ノート〕クララ・シューマンの楽譜編集と「教育版」について ―「クララ・シューマン版」をめぐる諸問題―
https://swu.repo.nii.ac.jp/records/7312
https://swu.repo.nii.ac.jp/records/7312d29b03dc-552f-45c3-8503-643b71a450dd
名前 / ファイル | ライセンス | アクション |
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学苑7月号_07_研究ノート_大澤 (2.3 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2022-08-08 | |||||
タイトル | ||||||
タイトル | 〔研究ノート〕クララ・シューマンの楽譜編集と「教育版」について ―「クララ・シューマン版」をめぐる諸問題― | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Clara Schumann’s Editing of Musical Score and “Instruktiv Ausgabe” ―Issues concerning the “Clara Schumann- Ausgabe”― | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Clara Schumann | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Robert Schumann | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Piano Education | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Edition | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | クララ・シューマン | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ロベルト・シューマン | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | ピアノ教育 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | エディション | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
著者 |
大澤, 里紗
× 大澤, 里紗× OSAWA, Risa |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This study discusses the problems surrounding Clara Schumann’s editing of musical scores for piano by Robert Schumann. It examines “Robert Schumann’s Complete Works (Robert Schumanns Werke)” and “Instructive Edition (Instruktiv Ausgabe)”, both edited by Clara Schumann and the “Clara Schumann-Edition (Clara Schumann- Ausgabe)” in chronological order, and compares them with the reprinted “Instructive Edition”. In this paper, “Abegg Variations Op. 1” is the subject of analysis. The contents of Clara’s revision of this work, her interpretation for performance, and the extent of her intervention are considered. Summarizing the history and reception of the “Instructive Edition” makes it clear that Clara’s “Instructive Edition” was published with a different purpose from other instructive editions that ware popular in the 19th century. It is necessary to continue comparative research of the reprinted “educational editions” and also to reevaluate Clara’s editing of Robert’s scores in order to examine how pianists, understanding that Clara’s editing is based on her deep knowledge of her husband’s work, should evaluate and use this edition. | |||||
書誌情報 |
学苑 昭和女子大学紀要 en : Gakuen: The Bulletin of Showa Women’s University 号 970, p. 50-66, 発行日 2022-07-01 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 1348-0103 |