@article{oai:swu.repo.nii.ac.jp:00007312,
 author = {大澤, 里紗 and OSAWA, Risa},
 issue = {970},
 journal = {学苑　昭和女子大学紀要, Gakuen: The Bulletin of Showa Women’s University},
 month = {Jul},
 note = {This study discusses the problems surrounding Clara Schumann’s editing of musical scores for piano by Robert Schumann. It examines “Robert Schumann’s Complete Works （Robert Schumanns Werke）” and “Instructive Edition （Instruktiv Ausgabe）”, both edited by Clara Schumann and the “Clara Schumann-Edition （Clara Schumann- Ausgabe）” in chronological order, and compares them with the reprinted “Instructive Edition”. In this paper, “Abegg Variations Op. 1” is the subject of analysis. The contents of Clara’s revision of this work, her interpretation for performance, and the extent of her intervention are considered. Summarizing the history and reception of the “Instructive Edition” makes it clear that Clara’s “Instructive Edition” was published with a different purpose from other instructive editions that ware popular in the 19th century. It is necessary to continue comparative research of the reprinted “educational editions” and also to reevaluate Clara’s editing of Robert’s scores in order to examine how pianists, understanding that Clara’s editing is based on her deep knowledge of her husband’s work, should evaluate and use this edition.},
 pages = {50--66},
 title = {〔研究ノート〕クララ・シューマンの楽譜編集と「教育版」について ―「クララ・シューマン版」をめぐる諸問題―},
 year = {2022},
 yomi = {オオサワ, リサ}
}